Cinq á sept is the time for secret encounters: illicit love is best consumed in the afternoon. Even if only two people are involved in the act, every affair is a ménage à trois.

The most unpretentious objects can become mysterious and symbolically charged when placed on a stage: in this case, a series of precious vessels visualize collective complicity and intricate connections. Like in a psychological role-play, 35 sets, always composed of three objects, explore the triangulations of human interactions, attachments, and bonds. It is at times a balancing act, missing links, final straws, or ultimate touches, that create tension, allow intimacy, or are the destructive element of a predictable pattern.